TIDAL ArtS Residencies
Ocean Space, Venice.
Mediterranean
Performance & installation
Klara Kofen · Venice Lagoon, Italy
ARTIST
DISCIPLINE
RESIDENCY
HOST
WEBSITE
Klara Kofen
Performance · Installation
Venice Lagoon, Italy · April 2026 - April 2027
Ocean Space / TBA21
ABOUT THE ARTIST
Klara Kofen is a multidisciplinary artist whose work explores speculative, counterfactual, real, and imagined histories, and the ways technological interfaces shape our relationship to time and affect. Working across performance, installation, film, sound, and writing, she examines how infrastructural, technological, financial, and affective systems layer and distort time while encoding particular histories and foreclosing others.
Her projects include Fake & Extinct (Centrale Fies; TBA21/Museo Nacional Thyssen-Bornemisza, 2025), Admiror, or Revolutionary Sentiments (Guggenheim Museum, NYC; BEK Bergen, 2023–25), and Dead Cat Bounce (Somerset House; Nottingham Contemporary; Arts Catalyst, 2022–24). Her writing has appeared in Catastrophe Time! (Strange Attractor/MIT Press), Cabinet Magazine, and Onomatopee.
Klara has taught at Goldsmiths and University of the Arts London, and was a UCL Institute of Advanced Studies Quirk Creative Fellow in 2024–25. She is artistic director of Waste Paper Opera and one half of Phorne.
THE PROJECT
Exploring Venice Lagoon through counterfactual simulations, collective enquiry, and the politics of prediction.
Counterfactual Waters explores the present, past, and future of the Venice Lagoon as ecosystem, colonial archive, industrial body, and climate frontier through the lens of the EU’s Digital Twin of the Ocean a vast simulation designed to model the lagoon’s complexity and guide future policy decisions.
The project investigates how digital twins encode time by synchronising geological records, sensor feeds, archives, and live environmental data into predictive systems that shape which futures become visible and which remain excluded. Rather than simply representing the lagoon, these simulations interpret it by prioritising particular histories, data streams, and temporalities.
Tracing the Digital Twin within a broader history of governance tools such as maps, forecasts, and archives, the residency examines how computational models influence environmental understanding and decision-making.
Working collaboratively with communities in Venice, the project will develop public workshops and collective enquiries exploring what these systems can and cannot predict. The residency culminates in an installative scenographic work at Ocean Space, featuring an automated counter-simulation activated through live performance.
Meet the other Residency Artists
TURKU ARCHIPELAGO · FINLAND
Clara Jo